Real-time multi-camera colour matching
One master look, however many cameras are on set.
Lyra matches footage from mismatched camera sources — an iPhone, a Blackmagic cinema camera, a broadcast rig — to a single master look in real time, using colour charts and the same ORION-CONVERT™ colour engine that powers the rest of the family.
Lyra is currently in private development
What's below reflects the tool as it stands today. Get in touch if you'd like early access or want to bring a multi-camera colour problem to us.
Chart-based matching, source by source
- Add a camera, add a chartPoint a colour chart at each source camera and at your master reference.
- Read chart neutrals and chromaticsLyra reads the chart's neutral patches and colour chromatics from every feed automatically.
- Add your own reference patchesTag real objects in shot — a whiteboard, gaffer tape, a cavity black — as extra matching references.
- Match, liveLyra solves a live correction for every source so it tracks the master's look, built on the same ORION-CONVERT™ engine as the rest of the family.
The same conversion controls as ORION-CONVERT™
Lyra's panel exposes the full ORION-CONVERT™ conversion stack alongside its matching tools, so a colourist can correct and convert in the same pass.
- Input/output compression with knee and amount controls, shared with the ORION-CONVERT™ core
- Primer: exposure, contrast, pivot and white balance
- Colour corrector with Lift / Gamma / Gain wheels
- Hexagon vectorscope-style hue, saturation and luminance control
- HLG → SDR (and other) conversion built in, so matching and delivery happen in one pass
Matching an iPhone to a broadcast rig, live
A source list of cameras — here an iPhone 15 Pro as master, a Blackmagic Pocket Cinema Camera and a broadcast system camera as sources — each read against a colour chart, with a live preview of the match.
